...My larger works have the advantage of size. The beauty and qualities of the metals solves the visual problems, but not the conceptual ones. Size not only entails proportion and symmetry. I don't really know what it's going to look like. Inside, I have the image, the idea... outside the sculpture's form slowly emerges... The problem is making the interior logic work with the exterior metamorphosis. I don't know which commands. It's a form of communication... where it's leading to I don't know.
It's necessary to work directly. It's all in the direct confrontation with matter. Energy, thought, sensibility...it all comes out as you work. I live what I'm doing. It's much more than the hard work required: it's denying yourself for the sake of your creation, for its existence.

Caesar Ubertino